From our bar graphs, it is evident that Natalia Lafourcade used elements of earth and space imagery the most to illustrate the themes of all three of these albums. Water imagery is only very prominant in Musas Vol. 1, so this may have been a critical tool for the themes present in this album specifically. Spiritual imagery is heavy in Musas Vol. 2 and Un Canto por México Vol.1, indicating that as her references to patriotic identity grow, spiritual elements were necesary to communicate her sentiments. However, air and fire imagery were not essential to craft of any of the three albums.